Natalie Grace Brigham

PhD Student @ University of Washington

Headshot of a white woman with shoulder-length brown hair, smiling in her graduation regalia and a bright orange master's hood.

My name is Natalie, but most people call me by my middle name, Grace :) I am a first year PhD student in Computer Science at the University of Washington (go dawgs!), where I am advised by Yoshi Kohno. I’m interested in understanding and mitigating sociotechnical harms of emerging technologies, particularly AI.

You can learn more about me in my CV.

news

Jan 15, 2026 Quoted in L’Express on the difficulty of quantifying AI-NCII incidence
Jan 11, 2025 Quoted in CNET’s article on the harms of Grok’s nonconsenaul sexualized image generation

selected publications

  1. AIES
    Five AI-generated images of people’s faces, with varying appearances.
    Biased AI Outputs Can Impact Humans’ Implicit Bias: A Case Study of the Impact of Gender-Biased Text-to-Image Generators
    Mattea Sim, Natalie Grace Brigham, Tadayoshi Kohno, and 2 more authors
    AAAI/ACM Conference on Artificial Intelligence, Ethics, and Society (AIES), Madrid, Oct 2025
  2. USENIX
    An artistic rendering of a nudification website, showing the options for controling the image outputs.
    Analyzing the AI Nudification Application Ecosystem
    Cassidy Gibson, Daniel Olszewski, Natalie Grace Brigham, and 5 more authors
    Proceedings of the 34th USENIX Security Symposium, Seattle, Aug 2025
  3. SoLaR @ NeurIPS
    A circular rainbow pie chart.
    Developing Story: Case Studies of Generative AI’s Use in Journalism
    Natalie Grace Brigham, Chongjiu Gao, Tadayoshi Kohno, and 2 more authors
    Workshop on Socially Responsible Language Modelling Research, Vancouver, Dec 2024
  4. SOUPS
    Many, primarily red pie charts.
    “Violation of my body:” Perceptions of AI-generated non-consensual (intimate) imagery
    Natalie Grace Brigham, Miranda Wei, Tadayoshi Kohno, and 1 more author
    Proceedings of the Twentieth Symposium on Usable Privacy and Security, Philadelphia, Aug 2024